Vol. 50 No. 1 (2026): REVART - Specialized review of theory & critique of arts

Articles

• THE SONATA GENRE IN THE WORKS OF VASILE ZAGORSCHI: FROM AN OVERVIEW OF THE GENRE TO AN EXEGESIS OF THE SONATA FOR VIOLIN AND PIANO

  Victoria MELNIC, Vladimir ANDRIEȘ (Author)

  8-36

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• THE HARMONIC SYSTEM AS A MARKER OF MUSICAL FORM. (ON THE BASIC ATTITUDE IN THE ANALYSIS OF CONTEMPORARY MUSIC)

  Elena SAMBRIȘ (Author)

  37-52

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• A ROSSINIAN PERSPECTIVE ON VOCAL ENSEMBLES IN CHAMBER MUSIC. MORCEAUX RÉSERVÉS: PÉCHÉS DE VIEILLESSE.

  Veronica Laura DEMENESCU, Ion Alexandru ARDEREANU (Author)

  53-69

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• A PERSPECTIVE ON THE COMPOSITION AND PROPERTIES OF VIOLIN VARNISHES

  Octavian GORUN (Author)

  70-77

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• BETWEEN STAGE AND PEDAGOGY MARIUS VLAD BUDOIU ON VOICE TRAINING, PROFESSIONAL RIGOR, AND THE VOCATION OF THE OPERA SINGER

  Adrian Călin BOBA (Author)

  78-95

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• HORN – ARCHETYPE AND INNOVATION: A COMPARATIVE ANALYSIS OF MOZART’S QUINTET K. 452 AND BEETHOVEN’S OP. 16 FOR PIANO AND WINDS

  Cristian BORCAN (Author)

  96-103

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• UNUSUAL SOLUTIONS IN MOZART’S PIANO SONATAS – MINUETS THAT INCORPORATE SONATA FORMS

  Iulian Bogdan VODĂ (Author)

  104-115

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• INTERDISCIPLINARY PERSPECTIVES ON THE USE OF MUSICAL INTERVENTIONS IN HEALTHCARE

  Rareș MACOVEI (Author)

  116-123

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• OPERATIC STAGE DIRECTION AS AN ACT OF INTERPRETING THE MUSICAL TEXT. FROM SCORE TO THE CONSTRUCTION OF STAGE DRAMATURGY

  Antoniu ZAMFIR (Author)

  124-136

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• THE ACTOR – MUSICAL SINGER: BETWEEN THEATRICAL EXPRESSIVENESS AND VOCAL PERFORMANCE – AN ANALYSIS OF THE COMPLEXITY OF THE MUSICAL ARTIST

  Denis Gabriel MATEI (Author)

  137-143

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• STYLISTIC AND INTERPRETATIVE CONSIDERATIONS REGARDING GIOACHINO ROSSINI’S ALBUM FRANÇAIS: PRESENTATION OF A FORTHCOMING VOLUME

  Cosmina STITZL (Author)

  144-150

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